Chambers of AWE
Acoustic Waves Emergence
Using sound & technology
to create immersive transformative
experiences & wellbeing.
Chambers of AWE (Acoustic Waves Emergence) are deep, immersive sound experiences created with ancient and modern acoustic instruments, augmented by cutting edge technology. Conceived and performed by Laura Inserra, they are a bridge between ancient technology (wisdom traditions and music) and modern technology (high tech and science).
Chambers of AWE combine recorded ambisonic sound architectures and live performances. Using the most advanced technology, Laura amplifies the instruments’ impact by entering the sound, augmenting it, and yet maintaining the integrity of the original source and its harmonics.
At the core of the project are sound sources made by rare acoustic instruments. Those sounds create immersive environments with a vast spectrum of frequencies which facilitate powerful transformational experiences. In these settings body and mind merge with the sound and shift to deeper Inner Landscapes Journeys, traveling beyond the field of cognitive perceptions.
It was premiered in 2018 in Prague during a large cryptocurrency conference, when Laura transformed for four days a forum hall into a decompression room, creating a sound and lighting reactive installation. Participants were entering an invisible but palpable 60 foot diameter sphere of sound created by an ambisonic system of 16 speakers and 4 subwoofers. Laura and her live set was in the center of the sphere with 8 mics, each one connected to 2 speakers, plus 2 mics connected to the whole sound system. This allowed her to map and create live sound architectures in addition to her pre-recorded tracks.
The ongoing intertwined pre-recorded and live music created a striking immersive sound environment. In addition, she offered twice a day guided immersive sound experiences.
Visit the official website
Staged world premiere at
Oct. 30 - Nov. 2, 2018
Prague Congress Center - Czech Republic
Devcon is the annual Ethereum conference for designers, developers, researchers and artists. The Ethereum Foundation hosts Devcon to educate and empower our community to build decentralized applications, and to bring Ethereum protocols, tools, and culture to the world. This is a conference for builders: designers, UX researchers, smart contract devs, blockchain researchers, client implementers,
test engineers, infrastructure operators, community organizers, and even artists in the community.
Why Do the Most Forward-Thinking Tech Conferences
Hire Laura Inserra to Create Their
Heading into the 2020s, the most forward-looking corporate conferences create decompression lounges where attendees can relax and recharge for a few minutes before diving back in headlong to the intensity and bustle of the conference. However, most decompression lounges, are paltry affairs with perhaps a little ambient music playing off an iPod, a tea station, and some diffused lights.
At DevCon4, the main annual meeting for the Ethereum community, the Foundation wanted something more immersive, more artistic, and frankly, more decompressive and recharging. The foundation wanted participants not just to have a relaxing and restorative experience, but one that would also uplift them, and bring them into deeper resonance with their bodies - thus getting more in touch with their creative potential. That’s why the Ethereum Foundation hired sound alchemist Laura Inserra, creator of Chambers of AWE (Acoustic Waves Emergence).
AWE stands for Acoustic Wave Emergence,
a fancy term for a simple vision:
Allow people to transport themselves, for as long or short as they want, in an overwhelmingly immersive, sensorily-stunning environment, as harmonized sounds, responsive lights, and acoustic frequencies envelop them.
Laura’s installation took over one of the main rooms of the Prague Congress Centre, one of the largest convention centers in Europe.
She and her team installed 16 concert-hall speakers and 4 subwoofers around the Centre’s Forum Hall, creating an ambisonic sphere. Once you are inside the speakers, you are inside a chamber of sound.
At the center of the space, with a 50-foot custom sound-responsive light sculpture hanging from the ceiling, Laura set up her array of several dozen acoustic instruments from around the world, captured by 12 mics.
Spiraling out from her were arrays of daybeds, where conference participants could lay back, take in the sights and sounds, and trance-port themselves into realms beyond, for moments or hours.
It was an all-encompassing experience for participants. (And awe-encompassing!)
Bring Laura’s Techno-Artistry
to your next conference or event
For over a decade, Laura has created environments that highlight the deeply human side of tech, and the need to relax, regenerate, and decompress from the pressures of the world.
Her goal is not to simply entertain but to create an environment where the music can encompass a wide range of senses, enveloping the attendees with sound and light while they catch a breath, relax, and revitalize themselves in one of the most unique meditation experiences.
Most of your conference participants are probably exploring various forms of mindfulness in order to improve their performance, reduce stress, and connect with higher sources of inspiration. A Chambers of AWE environment at your conference or event will completely transform the way participants relate to your event and to each other.
Laura is available to create sound-immersive environments from simple corners to massive concert halls, and everything in between--in accordance with your needs, event size, and budget.
To discuss the possibility of creating a sound-immersive environment for your next conference or event, please contact Laura at firstname.lastname@example.org
When we are in ‘awe’ we naturally enter a state of mindfulness and presence with our whole body and senses. We naturally are in the 'here and now’. In Laura’s work the awe is created by Acoustic Waves Emergence.
As in alchemy and in nature, the emergent property allows the whole to be greater than the sum of the parts, acquiring qualities that its parts do not have. In the digital era, we actually went in the other direction: as we created more compact and lighter formats (CDs, MP3s etc.), we cut off a lot of frequencies deemed ‘useless’ without realizing we were losing a lot of their inaudible, powerful impact.
There are frequencies our ears do not hear but that our bones, our cells, our mind perceive. On top of it, we are not being exposed as much to ancient acoustic sources of sound and instruments, which used to bring people into different states of consciousness. Those experiences were essential opportunities for healing, well-being, and transformation. After all, we are made of cells vibrating on different frequencies, which means we are ‘sound’. That is why those experiences allowed people to amplify their senses and connect with the vast, holistic intelligence of their being and environment. These days, not only we have lost those experiences, but we live in an environment filled with disruptive frequencies and sounds.
Chambers of AWE brings back those lost frequencies as sources of nourishment and tools to expand our senses, our body intelligence, our awareness. A lot of those sounds are in the lower frequency range. Many apps and devices use that range to generate states of relaxation, meditation, and enhanced creativity, yet those waves are made with computers using synthesizers and oscillators, which isolate the frequency in order to reproduce it. Nothing in nature is ‘isolated’. Acoustic sources of sound therefore have a much richer spectrum and texture of frequencies and harmonics (which no synthesizer can match), reaching and touching our system in a multidimensional way.
The Devcon4’s decompression room installation offered a calming atmosphere where a lush instrumental soundscape was augmented by a generative lighting experience. This room allowed guests to unplug (both metaphorically and literally), sit back, relax, and take time to breathe.
A central LED candelabra reached from the ground, in varying lengths, towards the ceiling, where a web of LED festoons reached out across the room. As Laura Inserra’s music evolved, the AI will mapped the different sounds throughout the installation creating a unique pattern every time, following her mood and sound. Her multi- instrumental approach to meditation allows for an ever evolving palette to choose from, making this a very dynamic and enchanting room.
A lighting designer was on site to carefully select attributes for the AI to feed from, and as the day progresses the colors shifted, the patterns changed. The environment reflected the very human side of tech, and the need to relax, regenerate, and decompress from the pressures of the world.
Our goal is not to light a room per se but to create an environment where Laura Inserra’s music can encompass a wide range of senses, enveloping the attendees with sound and light while they catch a breath, relax, and revitalize themselves in one of the most unique meditation experiences.